Recognition

Press & Critical Acclaim

Selected review excerpts and professional distinctions.

Critical Acclaim

“Especially impressive is baritone Jason Budd as a Falstaff prodigious in both voice and girth… Budd's Falstaff is as puffed-up, inadequate and worthy of laughter as any of us. Which is exactly what Shakespeare — and Verdi — intended.”
D. L. Groover, Houston PressTitle role — Falstaff, Opera in the Heights, 2009
“A fine comic actor with a strong bass…nimble enough to handle Donizetti's bel canto and a tongue-twisting solo. And he is among the best.”
Heather Dale, The Sojourner's TruthDr. Dulcamara — The Elixir of Love, Toledo Opera, 2026
“Jason Budd, a delightful Dr. Dulcamara, dominates the stage from his first entrance.”
Laura Stanfield Prichard, The Boston Musical IntelligencerDr. Dulcamara — The Elixir of Love, Boston Midsummer Opera, 2017
“Company regular Jason Budd put up a sublimely slimy Doctor Bartolo, treating the crowd to grotesquely funny expressions and singing with just the right amount of bluster.”
Zoë Madonna, The Boston GlobeDon Bartolo — Il barbiere di Siviglia, Boston Midsummer Opera, 2018
“Another flash of quality was represented by Jason Budd in the character role of the Sacristan: He served as a reminder of what a difference it makes to have solid professionals even in smaller parts.”
Anne Midgette, The Washington PostThe Sacristan — Tosca, Virginia Opera, 2009
“Jason Budd's Dulcamara was a good-natured quack, nimble of limb and voice.”
Opera NewsDulcamara — L’elisir d’amore, Cedar Rapids Opera Theatre, 2007
“Jason Budd…was very good vocally and theatrically.”
Sidney Molina, Folha de S.PauloTitle role — Falstaff, Theatro São Pedro, 2013. Translated from the original Portuguese.
“Bass Jason Budd practically stole the show…Budd's flexible bass possesses a full range of tonal color, which he used articulately for expressive purposes.”
David Bonetti, Berkshire Fine ArtsPlunkett — Martha, Boston Midsummer Opera, 2015